![]() Tennant’s work was created in her studio on Live Oak Street, several miles from Fair Park. Tennant was known around the state and had been previously acquainted with several members of the Association.Īfter a number of individuals were considered, Eugene Savage of New York was chosen to paint murals for the interior of the Hall of State and Allie Tennant was chosen to create a sculpture to be installed above the main entrance in an alcove. According to Light Townsend Cummins’ excellent book Allie Victoria Tennant and the Visual Arts in Dallas, The Texas Board of Control created a group of architects called the Texas Centennial Architects Association to establish and carry out the plans for the building. Tennant was engaged to create a sculpture for the Hall of State Building, originally called the State of Texas Building. It was quite significant for public art and also that so many women were invited to participate and play prominent roles. The Texas Centennial was to be a great and significant event in the life of the state and Tennant was selected along with several other women to be part of the group to create works for the exhibition. This group was characterized by their use of regional themes along with many others and were engaged in the art of the Texas Centennial Exposition of 1936. She was associated with the so-called Dallas Nine, a large group of artists (not limited to nine individuals) located in the Dallas area in the 1930s and 1940s. ![]() Tennant was of the group of Regionalist artists who employed local themes in their work. Any of them could be discussed, but the comments below deal only with two, her eleven foot tall statue at the Hall of State known as Tejas Warrior and a bas relief mural called Cattle, Oil and Wheat at the post office in Electra, Texas, both different types of work and typically viewed by different audiences. During her long career, she created many works that still stand and may be found in public places, museums and private collections. Tennant returned to Texas by the early 1930s. She studied with other artists including Vivian Louise Aunspaugh and studied at the Art Students League in New York City. In the next decade, she is believed to have most of her studies in art. By 1920 her father had passed away the year before, and she was living with her mother and three of her brothers in Dallas. Her father’s profession by then was listed as being an accountant for a manufacturing company. This probably gave rise to a different year of birth being used for her, 1898, though her death certificate used Jas her date of birth. By the time the 1910 Federal census was taken, the family was living in Dallas and her age was listed as 11. Allie was the only daughter among five siblings. ![]() Louis, Missouri in 1900 and her father was the general manager of a coal company. Her father was Thomas Richard Tennant and her mother was the former Allie Victoria (or Virginia) Brown. View texas-newmexico-history’s profile on TumblrĪllie Victoria Tennant was born around 1890 according to the 1900 Federal census.View TexasHistoryNotebook’s profile on Twitter.View Texas History Notebook’s profile on Facebook.Burk Burnett and Farley Sayers June 9, 2022.Follow TEXAS HISTORY NOTEBOOK on Recent Posts If your search doesn’t seem to work, try using fewer words.
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